• The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.

The Behringer Europower PMP530M Ultra-Compact 300-Watt 5-Channel Powered Mixer employs high-efficiency Class-D technology and a state-of-the- art switch-mode power supply, which significantly reduces weight and heat.

10-channel, 1600W Powered Mixer with Built-in Effects, 7-band EQ, and Feedback Detection

The Behringer PMP2000 is a 14-channel audio mixer and integrated 800 watt power amplifier with built-in, 24-bit effects processor.

6-channel, 900W Powered Mixer with Built-in FX Processor, Dual 7-band Graphic EQs with FBQ Feedback Detection, and Monitor Output

8-channel, 900W Powered Mixer with Dual FX Processors, Stereo 7-band Graphic EQ with FBQ Feedback Detection, and Monitor Output

12-channel, 500W Powered Mixer with Built-in Effects, 7-band EQ, and Feedback Detection

The all-new MixPad® MXP124 Compact, 12-Input Analog Stereo Mixer demonstrates Samson's commitment to quality, affordability and professional specs.

Samson's new TXM powered tabletop mixers feature recording console specs, studio quality effects and loads of power, designed as an all in one portable yet powerful solution for live sound applications.

Korg's ZERO8 is an 8-channel all-in-one "core station" designed for live performance artists, remix producers, and serious computer musicians providing a digital mixer, audio I/O, MIDI controller, and effect processor all in a single unit. Each channel can be switched between sources such as a turntable, CD player, microphone, computer, instrument, MIDI controller, or MIDI controller + audio to implement a sophisticated live mixing setup with the simplicity of a FireWire connection. This gives you an incredibly powerful and flexible tool designed specifically for live performance and remix production.

This extremely compact powered mixer is the youngest member of the PowerMate3 family. With a total output of 2,000 watts, it is far and away the most powerful compact mixer on the world market,

• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.
• The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.

• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.
• The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.

• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.
• The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.

The distinctive feature of the mixer section is the 4+4 channel configuration. In addition to the classic six mono + two stereo analogue inputs, the CMS boasts two stereo digital inputs via USB. These inputs – when occupied – are automatically routed to channels 5-6 and 7-8.

16-channel, 1600W Powered Mixer with Built-in Effects, 7-band EQ, and Feedback Detection Item ID: PMP4000

• The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.

• The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.

The sound of the Dangerous Monitor is transparent, yet musical. While achieving ruler flat specifications on paper is possible, the result is often cold and sterile. The marriage of specs and musicality is the ultimate goal- but due to the complexity, remains frustratingly elusive. Fortunately, Chris Muth, the equipment designer for many of the world’s top mastering facilities has this gift and the experience. No other audio company shares this pedigree: real world testing and fine-tuning amidst some of the world’s greatest studios and ears. The Dangerous Monitor will change the way you listen.

The ZM series mixers provide an ideal solution for small to medium-size commercial sound system installations. Capable of providing 125 watts of clean power, the ZM125 features a built-in constant voltage power amplifier that can also run at 25, 70 or 100 volts, or at 4 ohms. Six input channels with individual level controls are provided, so connecting sound sources is simple thanks to the available XLR, 1/4-inch and RCA connectors. Additionally, the ZM125 features five selectable speaker zone outputs.The ZM125 is ideal for distributing music and announcements throughout different rooms and the dedicated paging microphone input allows you to setup a distant paging station (for a hostess in a restaurant, for example). There's even an on-board chime, with four selectable tones, to alert the listeners of an upcoming page.For businesses that want to improve their customers' telephone experience, a MOH (Music On Hold) facility is also included. When interfaced with a business telecom system, music or valuable pre-recorded announcements are heard while customers are on hold.To control the overall tonal response of the sound system, the ZM series employs a seven-band graphic equalizer. A master level control and five segment level meters allow you to set a clean signal at the correct volume. For added flexibility you can add the optional Samson TCM-3 sound module with FM tuner and CD player that can play both standard CDs and CDs with MP3s.The ZM125 can be table-top or mounted in a standard 19-inch equipment rack using the included rackmount ears. The sleek black finish matches just about any décor, plus the steel chassis adds to its durability and reliability. Perfect for schools, restaurants, office buildings, small factories, or just about any place high quality, distributed audio is needed, the ZM125 offers excellent sound and great value.